I ran across this image by the talented artist Gary Kelley, and could not help but recall Abe Kobo‘s 1951 short story, “The Magic Chalk” (魔法のチョーク). In this early Abe gem, a starving artist named Argon sells off most of his possessions for food and is left with a piece of chalk. The significance of the ‘starving artist’ figure is debatable, because in 1951 most people in Japan were starving–the artist here is the everyman in this regard. The significance of Argon is far more apparent: it is a noble gas (希ガス) that takes its name from the Greek for “lazy” (hence used commonly as an inert gas), and despite being a “rare gas” in Japanese, I understand it is the most common of the noble gasses. So there you go–Argon the Idle. Nevertheless, this artist possesses a chalk that brings pictures to life. Food, money, a bed, a beautiful landscape, a beautiful–but troublingly modern–woman. In this respect, Mr. Kelley and Mr. Abe seem to be…ahem…drawing on a similar thought. But just as Abe’s story explores the eternal theme of art’s creative power–the power to create a new world, it also highlights a contemporaneous need for a regenerative force to help Japan through the post-war period.
The short story has been translated as is available, yet again, in The Showa Anthology: Modern Japanese Short Stories (Japan’s Modern Writers) (Bks.1 & 2)